![]() “Program mode,” allows to chose between 4 different clipping diode options on each channel. The channel blend allows you to mix in two different decades of Plexi amps together and can give you access to an incredibly diverse world of sounds.Ī two-channel Plexi-style overdrive + distortion offering digital functionality with a full analog circuit. ![]() The variac switch might appeal to Van Halen fans as it lets you recreate the effect of starving a Plexi of some power to make it scream at lower volumes. A 3-band EQ and (mono) FX loop capability round up the features.Ī Plexi-style pedal with a slightly hotter bit of grit – that’s what Bogner likes to do. It offers 3 amp emulation modes (Lead, Bass and Brown) and 3 cab ones, with an added 3 available at registration via the free app, which adds an extra layer of tweaking. There’s also a one channel version, in the following categories.Ī stereo Plexi-style amp-in-a=box with presets. The Channel footswitch alternates between the two. Two channels of high-gain Plexi-style BE-OD circuits in one pedal with an added mid-range knob, by one of the best living amp makers. The pedals in this category are more expensive than the average but – for the most part – offer extra features and/or can deliver a variety of Marshall-Style tones. BEST HIGH END/VERSATILE PLEXI PEDALS ($220-$350) We know this is an imperfect indicator, but it still gives you an idea of how much interest there is around the pedal. – In the galleries, pedals are presented in order of their “perceived” popularity. – A click (or second tap) on the thumbnails will open a demo video! – Hover (or fist tap) on the images for indicative street prices and notes This interactive page sums up most of the options you have at different price points to navigate it, follow these guidelines: We’ll take a look at the best guitar effects on the market that give you the Marshall sound at a fraction of the price (and at more manageable volumes). This is your ultimate guide to get the pedal that’s just right for you. Since then, dozens of similar pedals have been released in this niche. If you are on the market for the Plexi sound, but in the more portable stompbox format, you need to thank the Carl Martin Plexitone, a 1994 device that started the Plexi-in-a-Box trend. Many of the pedals in these lists can deliver both tones. Therefore, strictly speaking, JCM amps don’t belong to the Plexi family, but since their circuits are very similar we decided to include them in this article Because of this, the JCM 800 could achieve a more distorted sound and at lower levels than the Plexi, sounding thicker and more compressed, although with an obvious loss on the dynamics front – but loud genres like metal and hard rock don’t need as much dynamics… ![]() ) this amp could produce distortion at the preamp level. Sporting a circuit very similar to the Plexi, but with an added cascaded gain circuit (i.e. The JCM 800, available also in combo version, was that amp. In the early ’80s, with rock music increasingly embracing distorted guitars, Marshall thought it was time to produce an amp that delivered something similar to the Plexi series but with a focus on distortion. The “Plexi sound” was so influential that it became the signature sound for Marshall, inspiring a lot of the company’s post-1965 production – here’s a video with a rather comprehensive overview of many different models belonging to the Plexi category. But don’t forget that distortion, in the ’60s, was a very new concept, and these were among the first amps designed to deliver it the fact that they ended up in records by the likes of Jimi Hendrix and Eric Clapton is a testament to their importance. It featured a plexiglass front panel, hence the nickname “Plexi.”ġ00 Watts give you a lot of volume, but, for today’s standards, Plexi amps can’t really be considered “high-gain,” simply because they only had one volume knob (no preamp or gain stage), and could deliver lightly overdriven tones only when cranked up to ear-damaging levels. The 1959SLP was Marshall’s answer to this request: launched in 1965, it was a tube guitar amp boasting 100 Watts of power. The legend wants that the first Marshall Plexi was built after The Who’s Pete Townshend asked for a louder amp. ![]()
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